En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Anna Jeruc-Kopec

Wonderful singing and playing liven up a slightly lifeless staging of Mozart's turbulent masterpiece. 

They say that Violetta in La Traviata is one of opera's hardest soprano parts. Violetta changes character completely over the opera's three acts – all the way from voracious party girl to delicate, dying consumptive – and the singer must be in complete control of the role to make this work. The musical part, of course, is hardly easy either.