Update: highlights of the 24 hour event now available on the Music Never Sleeps NYC YouTube channel.
New York, famously, is the city that never sleeps. And for 24 hours, starting at 6pm EST on Friday 27 March, music lovers won’t be doing much sleeping either. The city is jam-packed with top class musicians who are currently distinctly under-employed: over 60 of them are going to be involved in a music streaming marathon.
In particular, NYC is home to a currently under-employed star cellist: Jan Vogler. When he got home a couple of weeks ago on the last flight from Bogota “before the airport madness happened”, Vogler got inundated with requests to play music online. He was reluctant to just put his own streams on social media (“that would have felt a bit egotistical”), but being also a director of two major festivals, he decided that those skills would help him put together the best and brightest of New York’s music scene. Things snowballed from there...
People who tune in to “Music Never Sleeps NYC” are going to be astonished by the variety. “New York is one of those great creative cities with people creating all kinds of things. After 20 years living there, I’m still amazed at how new generations grow up and bring new things to the table”. There’s going to be plenty of top end “straight” classical (Midori, for example, playing a whole Bach solo violin partita). There will be several duos (partners can play together in this time). But there will also be “some really cool stuff that could only happen in NY – some people who have special talents where I just sit there and go ‘Ooh, I wish I could do that.’” The roster includes “some of the most magical crossover artists I know”, like Bela Fleck, a banjoist whose own albums are impossibly eclectic but who Vogler considers equal in musicality to the best the classical world has to offer. Mandolinist Chris Thile normally plays bluegrass but happens to play Bach quite superbly; folk-based singer-songwriter Aoife O’Donovan blew Vogler away when he saw her two years ago: “so in tune that no classical musician can have such an intonation.”