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Welcome to Bachtrack
The classical music website

A Baroque Netflix evening: Zurich’s star-studded Giulio Cesare
© Monika Rittershaus
Sad shanties from Manchester Collective and Sean Shibe
© Pete Woodhead
Eyes wide shut for Berlin’s new Ballo in maschera
© Stephan Rabold
Young stars shine in the Staatsoper Berlin’s Rosenkavalier
© Ruth Walz (2020)
José Martínez unveils his latest Don Quichotte in Palermo
© Rosallina Garbo
Baroque confectionery with a serious core: Handel’s Belshazzar at Komische Oper Berlin
© Jan Windszus
Castor et Pollux in Geneva: among the stars, with shadows
© Magali Dougados
Eliahu Inbal enlivens the Singapore Symphony in Shostakovich and Rachmaninov
© Singapore Symphony Orchestra | Clive Choo
Freudian slip: Handel’s Tamerlano recast at London Handel Festival
© Craig Fuller
Alessio Bax’s inaugural London Festival of Chamber Music sets off to a flying start
© Sophie Oliver | Sinfonia Smith Square
Parsifal reconsidered: A provocative improvisation in Prague
© Serghei Gherciu
Dutch National Ballet's reimagined La Bayadère triumphs
© Altin Kaftira
A simple but richly detailed Cunning Little Vixen at the Royal Northern College of Music
© Robin Clewley
Mark Morris’ luminous, whimsical Moon lands in Brooklyn
© Julieta Cervantes
A riveting Rigoletto revival at the Royal Opera House
© RBO 2026 | Marc Brenner
Billy Budd, or the Triumph of Beauty at the Opéra de Lyon
© Jean-Louis Fernandez
Irish National Opera’s new Rusalka intrigues more than it convinces
© Ruth Medjber
Ballet for cowboys and soldiers at Kansas City Ballet
© Brett Pruitt & East Market Studios
Magnifying Glass: a magnificent Les Enfants terribles in Lille
© Simon Gosselin
English National Ballet’s Body and Soul: a mixed bag at Sadler’s Wells
© Photography by ASH
A grounded, revealing Carnegie Hall debut by Alexandra Dovgan
© Rebecca J Michelson
A vocally perplexing economics assignment from David Lang and New York Philharmonic
© Chris Lee
Jaap van Zweden and the Seoul Philharmonic’s measured Mahler 6
© Seoul Philharmonic Orchestra
Kristiina Poska makes an exciting return to conduct the RSNO
© RSNO | Clara Cowen
A Baroque Netflix evening: Zurich’s star-studded Giulio Cesare
© Monika Rittershaus
Sad shanties from Manchester Collective and Sean Shibe
© Pete Woodhead
Eyes wide shut for Berlin’s new Ballo in maschera
© Stephan Rabold
Young stars shine in the Staatsoper Berlin’s Rosenkavalier
© Ruth Walz (2020)
José Martínez unveils his latest Don Quichotte in Palermo
© Rosallina Garbo
Baroque confectionery with a serious core: Handel’s Belshazzar at Komische Oper Berlin
© Jan Windszus
Castor et Pollux in Geneva: among the stars, with shadows
© Magali Dougados
Eliahu Inbal enlivens the Singapore Symphony in Shostakovich and Rachmaninov
© Singapore Symphony Orchestra | Clive Choo
Freudian slip: Handel’s Tamerlano recast at London Handel Festival
© Craig Fuller
Alessio Bax’s inaugural London Festival of Chamber Music sets off to a flying start
© Sophie Oliver | Sinfonia Smith Square
Parsifal reconsidered: A provocative improvisation in Prague
© Serghei Gherciu
Dutch National Ballet's reimagined La Bayadère triumphs
© Altin Kaftira
A simple but richly detailed Cunning Little Vixen at the Royal Northern College of Music
© Robin Clewley
Mark Morris’ luminous, whimsical Moon lands in Brooklyn
© Julieta Cervantes
A riveting Rigoletto revival at the Royal Opera House
© RBO 2026 | Marc Brenner
Billy Budd, or the Triumph of Beauty at the Opéra de Lyon
© Jean-Louis Fernandez
Irish National Opera’s new Rusalka intrigues more than it convinces
© Ruth Medjber
Ballet for cowboys and soldiers at Kansas City Ballet
© Brett Pruitt & East Market Studios
Magnifying Glass: a magnificent Les Enfants terribles in Lille
© Simon Gosselin
English National Ballet’s Body and Soul: a mixed bag at Sadler’s Wells
© Photography by ASH
A grounded, revealing Carnegie Hall debut by Alexandra Dovgan
© Rebecca J Michelson
A vocally perplexing economics assignment from David Lang and New York Philharmonic
© Chris Lee
Jaap van Zweden and the Seoul Philharmonic’s measured Mahler 6
© Seoul Philharmonic Orchestra
Kristiina Poska makes an exciting return to conduct the RSNO
© RSNO | Clara Cowen
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Bachtrack Editions April 2026: our curated selection of reviews, stories and images from the past month.

Bachtrack is introducing a Registration Wall, affecting reviews, listings and some articles. This is not a paywall, and the site will remain free to use.

Analysing over 31,000 listings, what did we discover about the classical music world in the past year?

From Our Archive