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Welcome to Bachtrack
The classical music website

Dreams in the mist: Romeo Castellucci directs a new Pelléas et Mélisande at La Scala
© Monika Rittershaus | Teatro alla Scala
Chiaroscuro extinguished: a barren Poppea in Copenhagen
© Miklos Szabo
Lepage’s Bluebeard and Erwartung pairing remains compelling theatre
© Michael Cooper
Mira Nadon’s sparkling debut in Symphony in C with New York City Ballet
© Erin Baiano
Wretches like us: the LPO’s concert Wozzeck cuts to the quick
© Pete Woodhead
The Australian Ballet does Romeo and Juliet: precision over passion
© Daniel Boud
Peter Whelan and Carlos Ferreira ignite Brahms and Weber in Dublin
© Andres Poveda
Yunchan Lim at Carnegie Hall: unmooring musical time
© Fadi Kheir
Turangalîla underwhelms at the Southbank’s Multitudes festival
© Pete Woodhead
Acosta's Don Quixote for BRB: polished but not quite enough panache
© Johan Persson
A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia
© Steven Pisano
Asmik Grigorian’s Tatyana strengthens the Met’s revival of Eugene Onegin
© Evan Zimmerman | Met Opera
A dream of a Gerontius from Antonio Pappano, the LSO and Chorus
© LSO | Mark Allan
At half mast: Peter Stein's Simon Boccanegra revived at the Wiener Staatsoper
© Wiener Staatsoper | Michael Pöhn
Benedetti ablaze and Mӑcelaru rides the crest of great waves with the Philharmonia
© Philharmonia Orchestra | David McCaffrey
Netrebko shines in Vienna’s timeless Tosca
© Wiener Staatsoper | Michael Pöhn
The Royal Ballet and Wayne McGregor: stunning dancing but nothing really new
© 2026 RBO. Photographed by Andrej Uspenski
Weinberg’s The Passenger paints the horror of Auschwitz in a different light
© Dutch National Opera | Monika Rittershaus
Frauenliebe und -sterben: Tobias Kratzer’s triple bill at Staatsoper Hamburg
© Matthias Baus
Autumnal introspection to oceanic majesty: Tarmo Peltokoski conducts the Hallé
© Sharyn Bellemakers | The Hallé
Johnny Loves Johann, unevenly at the Joyce Theater
© Erin Baiano
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
© Teatro alla Scala | Brescia e Amisano
Poetry and precision: Seong-Jin Cho returns to Carnegie Hall
© Chris Lee
French mezzo Marianne Crebassa is potent and versatile at Leeds Song
© Apple and Biscuit Productions
Seconds out! Regents Opera’s Salome lands a knockout punch at York Hall
© Steve Gregson
Rafael Payare finds artistry at full throttle with the Pittsburgh Symphony
© Josh Milteer
Dreams in the mist: Romeo Castellucci directs a new Pelléas et Mélisande at La Scala
© Monika Rittershaus | Teatro alla Scala
Chiaroscuro extinguished: a barren Poppea in Copenhagen
© Miklos Szabo
Lepage’s Bluebeard and Erwartung pairing remains compelling theatre
© Michael Cooper
Mira Nadon’s sparkling debut in Symphony in C with New York City Ballet
© Erin Baiano
Wretches like us: the LPO’s concert Wozzeck cuts to the quick
© Pete Woodhead
The Australian Ballet does Romeo and Juliet: precision over passion
© Daniel Boud
Peter Whelan and Carlos Ferreira ignite Brahms and Weber in Dublin
© Andres Poveda
Yunchan Lim at Carnegie Hall: unmooring musical time
© Fadi Kheir
Turangalîla underwhelms at the Southbank’s Multitudes festival
© Pete Woodhead
Acosta's Don Quixote for BRB: polished but not quite enough panache
© Johan Persson
A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia
© Steven Pisano
Asmik Grigorian’s Tatyana strengthens the Met’s revival of Eugene Onegin
© Evan Zimmerman | Met Opera
A dream of a Gerontius from Antonio Pappano, the LSO and Chorus
© LSO | Mark Allan
At half mast: Peter Stein's Simon Boccanegra revived at the Wiener Staatsoper
© Wiener Staatsoper | Michael Pöhn
Benedetti ablaze and Mӑcelaru rides the crest of great waves with the Philharmonia
© Philharmonia Orchestra | David McCaffrey
Netrebko shines in Vienna’s timeless Tosca
© Wiener Staatsoper | Michael Pöhn
The Royal Ballet and Wayne McGregor: stunning dancing but nothing really new
© 2026 RBO. Photographed by Andrej Uspenski
Weinberg’s The Passenger paints the horror of Auschwitz in a different light
© Dutch National Opera | Monika Rittershaus
Frauenliebe und -sterben: Tobias Kratzer’s triple bill at Staatsoper Hamburg
© Matthias Baus
Autumnal introspection to oceanic majesty: Tarmo Peltokoski conducts the Hallé
© Sharyn Bellemakers | The Hallé
Johnny Loves Johann, unevenly at the Joyce Theater
© Erin Baiano
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
© Teatro alla Scala | Brescia e Amisano
Poetry and precision: Seong-Jin Cho returns to Carnegie Hall
© Chris Lee
French mezzo Marianne Crebassa is potent and versatile at Leeds Song
© Apple and Biscuit Productions
Seconds out! Regents Opera’s Salome lands a knockout punch at York Hall
© Steve Gregson
Rafael Payare finds artistry at full throttle with the Pittsburgh Symphony
© Josh Milteer
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