Two things signal the return to something approaching “normality” in the classical music world after the pandemic: huge symphonies and touring orchestras. Packed audiences have thrilled to Mahler and Bruckner epics over the past few months, but the number of visiting orchestras to UK venues in the coming season is low – unless you look at Cadogan Hall. The Belgravia concert hall’s popular Zurich International Orchestra Series is back with an intriguing menu of orchestras. And some tasty big symphonies too.
Founded in 1945, the Seoul Philharmonic is the oldest Korean orchestra, raised to international stature during its decade under Myung-whun Chung. Due to the pandemic hiatus, Osmo Vänskä’s tenure as Music Director has been brief – he stands down at the end of 2022 – so their Cadogan Hall concert at the end of October will be the only chance British audiences get to witness this partnership in action. There’s a recent work, Frontispiece, by Unsuk Chin, composer-in-residence with the orchestra for 12 years, which is bookended by two crowd-pleasers. Sunwook Kim, a Korean pianist who hit the headlines when he won the Leeds International Piano Competition in 2006, plays Tchaikovsky’s barnstorming First Piano Concerto. Then Vänskä conducts the 1919 Suite from Stravinsky’s ballet, The Firebird.
October also sees the visit of the Brno Philharmonic. Many people would associate the city of Brno with Leoš Janáček and Dennis Russell Davies does indeed open the concert with Moravia’s favourite son, the Gogol-inspired orchestral rhapsody Taras Bulba. The other two works in the programme feature works by central Europeans that were composed in America. Erich Korngold had made a career as a composer for cinema, defining the Hollywood film score, but after the Second World War he concentrated on writing for the concert hall once more, his most popular work being his highly romantic Violin Concerto, played here by Alexander Sitkovetsky. Then there’s Antonín Dvořák’s evergreen “New World” Symphony.
The Belgian National Orchestra makes the short trip across – or under – the English Channel, meeting up with a leading British pianist on the way. Roberto González-Monjas conducts rare Respighi – the Preludio, corale e fuga – and Saint-Saëns’ Third Symphony (presumably the Belgians are bringing their own organ). Paul Lewis is the soloist in Mozart’s Piano Concerto no. 25 in C major, K503, which opens in a grand manner but, once the pianist enters, is full of grace and charm.