| Lully, Jean-Baptiste (1632-1687) | Atys |
| Grand Théâtre de Genève | ||
| Leonardo García-Alarcón | Musikalische Leitung | |
| Angelin Preljocaj | Regie, Choreographie | |
| Prune Nourry | Bühnenbild | |
| Jeanne Vicérial | Kostüme | |
| Éric Soyer | Licht | |
| Cappella Mediterranea | ||
| Chorus of the Grand Théâtre de Genève | ||
| Gilles Rico | Dramaturgie | |
| Ballet du Grand Théâtre de Genève | ||
| Alan Woodbridge | Chorleitung | |
| Matthew Newlin | Tenor | Atys |
| Giuseppina Bridelli | Mezzosopran | Cybèle |
| Ana Quintans | Sopran | Sangaride |
| Andreas Wolf | Bass | Célénus |
| Michael Mofidian | Bassbariton | Idas |
| Gwendoline Blondeel | Sopran | Doris |
| Lore Binon | Sopran | Mélisse |
| Samuel Boden | Tenor | Le Sommeil |
| Valerio Contaldo | Tenor | Morphée |
Libretto by Philippe Quinault after Ovid
First performed in Saint-Germain-en-Laye in 1676
For the first time at the Grand Théâtre de Genève
Co-production with the Royal Opera of Versailles