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Performer: Michael Mofidian


SalisburyElgar: The Apostles, Salisbury Musical Society

Elgar: The Apostles, Salisbury Musical Society
Elgar: The Apostles, Op.49
David Halls; Salisbury Musical Society; Guildford Choral Society; Claire Seaton; Diana Moore

LondonLa traviata

Hrachuhí Bassénz (Violetta) and cast © ROH | Catherine Ashmore
Verdi: La traviata
Daniel Oren; Sir Richard Eyre; The Royal Opera; Francesco Ivan Ciampa; Bob Crowley; Hrachuhí Bassénz

DublinGood Friday Bach

Bach: Johannes-Passion, BWV245
RTÉ National Symphony Orchestra; David Hill; Nick Pritchard; Michael Mofidian; Aoife Miskelly; James Hall

LondonDon Carlo

Verdi: Don Carlo(s)
Richard Farnes; Nicholas Hytner; The Royal Opera; Bob Crowley; Ferruccio Furlanetto; Michael Fabiano


Puccini: Tosca
Sir Antonio Pappano; Jonathan Kent; The Royal Opera; Paul Brown; Anna Netrebko; Brian Jagde
Neue Kritikenmehr...

Ungeheuerliches Glück: glänzende Premiere von Forza in London

Jonas Kaufmann (Don Alvaro) und Anna Netrebko (Leonora) © ROH | Bill Cooper
Die heißesten Operntickets in London in dieser Season zeigen Anna Netrebko und Jonas Kaufmann vereint auf der Bühne der Royal Opera. Das Warten hat sich gelohnt.

“Esultate!” Kunde's Otello impresses at Covent Garden

Carlos Álvarez (Iago) and Gregory Kunde (Otello) © ROH | Catherine Ashmore
The American must be one of the few tenors to tackle both Rossini and Verdi's Moor with success. 

Massenet the arch-romantic: Werther returns to Covent Garden

Juan Diego Flórez (Werther) © ROH | Catherine Ashmore
Edward Gardner brings out the Wagner influence in Massenet's opulent score, Juan Diego Flórez give a persuasive performance in the title role.

JPYA unite for a golden afternoon at Covent Garden

Il barbiere di Siviglia; Dominic Sedgwick (Figaro) © ROH 2019 | Clive Barda
The young singers spin any raw material into opera gold, sending the audience home as uplifted as if they’d just glugged a bellyful of Pimm’s.

Carmen minus charisma: a limp revival of Kosky's production

Jacquelyn Stucker (Frasquita), Anaïk Morel (Carmen), Hongni Wu (Mercédès) and dancers © ROH | Bill Cooper
Barrie Kosky's divisive production returns to The Royal Opera but has lost its zing.