| Mozart, Wolfgang Amadeus (1756-1791) | Die Zauberflöte | Libretto von Emanuel Schikaneder |
| Hungarian State Opera | ||
| Gábor Káli | Musikalische Leitung | |
| Miklós Szinetár | Regie | |
| Rita Velich | Bühnenbild | |
| Péter Horgas | Kostüme | |
| Hungarian State Opera Chorus | ||
| Hungarian State Opera Orchestra | ||
| Zita Váradi | Sopran | Pamina |
| Csaba Sándor | Bassbariton | Papageno |
| Viktória Varga | Sopran | Königin der Nacht |
| Dániel Pataky | Tenor | Tamino |
| András Palerdi | Bass | Sarastro |
| Beatrix Fodor | Sopran | Erste Dame |
| Gabriella Balga | Mezzosopran | Zweite Dame |
| Bernadett Wiedemann | Mezzosopran | Dritte Dame |
| Ágnes Molnár | Sopran | Papagena |
| Gergely Ujvári | Tenor | Erster Priester |
| Géza Gábor | Bass | Zweiter Priester |
Opera in two acts, in Hungarian, with Hungarian and English surtitles
The combination of Mozart's marvellous music and Schikaneder's coming-of-age storyline has something to tell us at every stage of life. No matter if you are discovering or rediscovering the work as a young lover, a parent, or with the wisdom of old age, this blend of the ethereal and riveting entertainment is always thrilling to watch. Miklós Szinetár's production is suffused with the opera's rich world of symbolism, with the sun always rising at the end.