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BudapestLa traviata

Verdi: La traviata
János Kovács; Ferenc Anger; Hungarian State Opera; Levente Török; Gergely Zöldy Z; Hungarian State Opera Orchestra
BudapestBest of Puccini

Puccini
Gergely Madaras; Attila Toronykőy; Hungarian State Opera; István Dénes; Balázs Fügedi; Katalin Juhász; Tamás Pillinger
BudapestBizet: Carmen

Bizet: Carmen
Gábor Hontvári; Calixto Bieito; Hungarian State Opera; Flores Tarres Ildefonso; Mercè Paloma; Hungarian State Opera Orchestra; Hungarian State Opera Chorus
BudapestKacsóh: John the Valiant

Kacsóh: János Vitéz (John the Valiant)
Dániel Erdélyi; Máté Szabó; Hungarian State Opera; Balázs Horesnyi; Anni Füzér; Hungarian State Opera Orchestra; Hungarian State Opera Chorus
BudapestBest of Puccini + Schicchi 2.0

Puccini
Hungarian State Opera Orchestra; István Dénes; Attila Toronykőy; Balázs Fügedi; Katalin Juhász; Tamás Pillinger
Neue Kritikenmehr...
Ambrogio Maestri gibt Budapester Falstaff Auftrieb
Der große Mann im Fettanzug dominiert die Show und gibt dem Falstaff der Ungarischen Staatsoper Elan und Lebensfreude.
Fine voices, staid production: Rigoletto at Hungarian State Opera

Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.
No salvation: Budapest Don Carlo paints a dark picture of humanity
The Hungarian State Opera presents a new modern production of Don Carlo by a director who depicts the historical cruelty as very much present in our world today.
Szinetár lets the laughs rule in Hungarian Magic Flute
The Hungarian State Opera's revival of The Magic Flute lacks a little magic.
Un ballo glitters but doesn’t ignite in Budapest
The acting was patchy and the singing ranged from serviceable to laudable in this dazzling new production at the Budapest Spring Festival.
Les Huguenots at Hungarian State Opera
Oliver von Dohnányi leads a great orchestral performance to drive Meyerbeer's grand historical epic, lit up by sparkling coloratura from Klára Kolonits.
