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Chris Garlick is the co-founder of Signal Gallery in Hoxton. His first degree was in music, training as a classical composer. Chris has written about art frequently in Art of England magazine, Artist and Illustrator for online blogs.
In these difficult times a reduced audience witnessed a concert of music that didn’t exactly offer much solace, but which possessed a powerful sense of loss and foreboding that seemed entirely timely.
The wonderful acoustics of Milton Court proved to be the ideal setting for dramatic performances of rarely performance repertoire. With Igor Levit at the helm the evening was both technically challenging and artistically stimulating for audience and performers alike.
A performance Vaughan Williams' Job to truly cherish, with Manze using all his experience to produce a mature and thrilling account of this masterpiece.
An ambitious programme demonstrated the musical passions and prowess of this most sought-after pianist, holding the Halloween audience in his devilish spell.
An auspiciously successful concert for the LPO and their new Principal Conductor Designate Edward Gardner, crowned by an exceptional performance of the Nielsen.
As part of Philharmonia’s the Bittersweet Metropolis strand focusing on the music and culture of Germany in the interwar years, Esa-Pekka Salonen curated an interesting group of works designed to paint a picture of the more serious end of the music world in Berlin.
A breath of Finnish fresh air blew onto the London music scene with the announcement from the Philharmonia Orchestra of the appointment of Santtu-Matias Rouvali as their new Principal Conductor from 2021.
The evening left you in no doubt that in Donnerstag aus Licht is more approachable than many would imagine, as well as being a major creative achievement that is crying out to be explored by opera houses.
Another classic Rattle concert produced a very strong sense of occasion at the Barbican. Sir Simon is certainly making his mark on the London concert scene...
Like all great quartets, each member contributed their individual voice but, in the combination of all four, they created something extraordinary and compelling.
Walton’s First Symphony from 1935 rounded off the evening in a blaze of brassy glory. Petrenko approached the work in a full-blooded fashion, which didn’t always hit the mark, but was ultimately thrilling.
This final concert of the BBCSO’s Total Immersion day dedicated to GyörgyLigeti, proved to be something a revelation, both in terms of the variety of the music and the quality of the performances.
