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Laura has a Master’s degree in Ballet Studies from Roehampton University and extensive experience as a dance teacher and in dance marketing. Her writing can be found in a number of magazines and websites including Dancing Times, Londondance.com and Londonist. Her blog is here.
Two of ballet's brightest stars, Natalia Osipova and Ivan Vasiliev dwelve into contemporary repertoire. Performances at the London Coliseum, with works by Sidi Larbi Cherkaoui, Ohad Naharin and Arthur Pita.
English National Ballet has performed The Nutcracker every year since it was founded in 1950. The latest version, by former company artistic director Wayne Eagling, has a great deal of charm and a stunning leading couple. At the London Coliseum.
Founded by Marie Rambert in 1926, Rambert has an inimitable reputation for high-quality contemporary dance. The next phase of development, under the direction of Mark Baldwin, will move the company into a new custom-built home on the London Southbank. Its latest triple bill at Sadler’s Wells is largely bland, but has moments of brilliance, namely in the form of Barak Marshall’s The Castaways.
Frederick Ashton used to say it was like a lesson in choreography every time he watched The Sleeping Beauty. For Kenneth MacMillan too, the ballet was the pinnacle of classicism and technique and a great test of any company’s skills.
Famous as a choreographer and as the star of the award-winning film Black Swan, as well as being the husband of Natalie Portman, there is a weight of expectation on the work of Benjamin Millepied. He will take up the position of Director of Dance at Paris Opera Ballet in 2014, but his latest project, performing at Sadler’s Wells this week, attempts to break free from classical ballet tradition.
