Anna Bogdanova is an Athens-based freelance writer whose work spans brand strategy, journalism, essay, and fiction. She has been a serious devotee of opera and ballet for almost twenty years and is a regular at the Greek National Opera, with particular interest in contemporary stagings of canonical work.
To rebuild Maria Callas’s 1961 Medea is to invite the cruellest comparisons in opera. For most of a single night at Epidaurus, Greek National Opera withstands it, but then comes the final act...
Acceda a su sesión para gestionar las alertas, su agenda o lista de preferencias personal, guardar sus búsquedas recientes, comentar acerca de artículos y reseñas o si quiere incluir eventos.
Por favor, escriba su dirección de correo, a continuación clique uno de los dos botones.
