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Of One BloodNueva producción

NationaltheaterMax-Joseph-Platz 2, Múnich, Bayern, 80539, Alemania
Fechas/horas en zona horaria de Berlin
sábado 27 junio 202619:00
lunes 29 junio 202619:00
Festival: Munich Opera Festival
Programa
Dean, Brett (n. 1961)Of One BloodLibreto de Heather Betts
Intérpretes
Bayerische Staatsoper
Vladimir JurowskiDirección
Claus GuthDirección de escena
Étienne PlussDiseño de escena
Ursula KudrnaDiseño de vestuario
Michael BauerDiseño de iluminación
Bayerisches Staatsorchester
Lukas LeipfingerDramaturgia
Yvonne GebauerDramaturgia
Sommer UlricksonCoreografía
Mahan EsfahaniClave
Johanni van OostrumSopranoQueen Elizabeth
Vera-Lotte BoeckerSopranoMary Stuart
Rose Naggar-TremblayContraltoJane Kennedy, Female Courtier V
Michael ButlerTenorLord Darnley, Male Courtier I
Andrew HamiltonBarítonoDavid Rizzio, Male Courtier III
Seonwoo LeeSopranoFemale Courtier I
Mirjam MesakSopranoFemale Courtier II
Lotte Betts-DeanMezzosopranoFemale Courtier III
Natalie LewisMezzosopranoFemale Courtier IV
Joel WilliamsTenorMale Courtier II
Armand RabotBajo-barítonoMale Courtier IV
Martin SnellBajoMale Courtier V, Excecutioner

The two closely related powerful women, whose graves now lie right beside each other in London’s Westminster Abbey, were “Of One Blood”, so of the same blood. Both were of course as conceivably far apart as possible during their lives. Elizabeth I ruled for almost half a century as Queen of England and Ireland, while Mary Stuart reigned over Scotland for a quarter of a century. A bitter power struggle between the Protestant hegemony and the Catholic opposition and ultimately the pressure of parliament forced the English Queen to have Mary Stuart executed.

It is all related not only by countless history books and Friedrich Schiller’s play – it is also told by Brett Dean’s new opera, which will celebrate its world premiere at the Bayerische Staatsoper. Heather Betts found what she needed for the libretto in letters of the two queens and other 16th century sources. In her composition she condenses the spiralling claims to power, intrigues, violence and aristocratic influence, peaking over several decades, into a captivating dramaturgy of situations as the welcome structure for Brett Dean’s music. This offers sound surfaces of an immensely dynamic bandwidth, in which extremes are exhausted, whereby unconventional playing styles are also applied. Director Claus Guth will focus on the ambivalent relationship of the two women with one another and thus examine how the more than four-hundred-year-old conflict is continued to this day and is told anew again and again. Iconic settings are brought to us here in an interplay from an historical, analytically-distanced viewpoint and emotional emphasis.

Tickets: € 193 / 168 / 142 / 117 / 90 / 64 / 16 / 14