| jueves 23 abril 2026 | 19:30 |
| Teatro Real | ||
| Gustavo Gimeno | Dirección | |
| Laurent Pelly | Dirección de escena, Diseño de vestuario | |
| Caroline Ginet | Diseño de escena | |
| Orquesta Titular del Teatro Real | ||
| Coro Titular del Teatro Real | ||
| Jose Luis Basso | Dirección de coro | |
| Natalia Tanasii | Soprano | Mařenka |
| Sean Panikkar | Tenor | Jeník |
| Moisés Marín | Tenor | Vašek |
| Martin Winkler | Barítono | Kecal |
| Rocío Pérez | Mezzosoprano | Esmeralda |
| María Rey-Joly | Soprano | Ludmila |
| Monica Bacelli | Mezzosoprano | Háta |
| Jaroslav Březina | Tenor | The Ringmaster (Principál) |
| Manel Esteve Madrid | Barítono | Krušina |
| Toni Marsol | Barítono | Micha |
| Ihor Voievodin | Bajo-barítono | The Indian |
When a spirited peasant girl is promised to a stranger, she uses every last ounce of cunning and charm to thwart her parents’ plans and get the man she actually loves.
Brimming with charm, The Bartered Bride is generally recognised as the quintessential Czech opera. Surprisingly in a ‘folk opera', the chorus is given comparatively little to do, and instead the heart of the opera is the dazzling succession of duets: a loving duet for hero and heroine at the beginning and an angry one at the end; an immensely skilful one for Mařenka and the stuttering Vašek and, in another contrast of opposites, the brilliant duet for the high-spirited Jenik and the ponderous Kecal. Smetana's character drawing was especially sharp in this opera. Teatro Real has entrusted their new production to director Laurent Pelly, known for making comic operas genuinely funny, and resident music director Gustavo Gimeno.
Críticas de La novia vendida dirigida por Laurent Pelly

