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Der Schmied von Gent

Opera Vlaanderen, AntwerpFrankrijklei 3, Amberes, Antwerp, 2000, Bélgica
Fechas/horas en zona horaria de Brussels
jueves 11 febrero 202720:00
domingo 14 febrero 202715:00
miércoles 17 febrero 202720:00
sábado 20 febrero 202720:00
martes 23 febrero 202720:00
viernes 26 febrero 202720:00
domingo 28 febrero 202715:00
Intérpretes
Opera Ballet Vlaanderen
Martijn DendievelDirección2027 feb 11, 14 Matiné, 20, 23, 26, 28 Matiné
Jef SmitsDirección2027 feb 17, 26
Ersan MondtagDirección de escena, Diseño de escena
Josa MarxDiseño de vestuario
Rainer CasperDiseño de iluminación
Symfonisch Orkest Opera Ballet Vlaanderen
Koor Opera Vlaanderen
Till BrieglebDramaturgia
Piet De VolderDramaturgia
Jan SchweigerDirección de coro
Hendrik DerolezDirección de coro
Kinderkoor Opera Vlaanderen
Evangelos PapaefstathiouBajo
Mark Ellis GoughBarítono
Jung-Kun OhBajo
Erik DelloTenor
Scott HendricksBarítonoSmee
Kai Rüütel-PajulaMezzosopranoHis wife
Vuvu MpofuSopranoAstarte
Christopher DiffeyTenorSlimbroek
Daniel ArnaldosTenorFlipke
Timothy VeryserTenorThe executioner
Tobias LusserBarítonoDuke of Alba
Ivan ThirionBajoSt Joseph as a citizen in a poor outfit
Rosa SparksSopranoHis wife Mary with child
Justin HopkinsBajoSt Peter

The story of Franz Schrekers’ ‘magical opera’ Der Schmied von Gent, based on a Légende flamande by Charles de Coster, begins on Ghent’s Ajuinlei. De Coster transposed the ancient folk tale of Smidje Smee to the period of Spanish rule in Flanders in the 16th century. Smee is the most powerful blacksmith in Ghent, who does good business with the occupiers but has never renounced his past as a freedom fighter and a ‘geus’ (rebel). He is betrayed and loses his smithy. Then the devil makes him a tempting offer: seven years of abundance, happiness and unlimited production… Smee, initially a victim of repression, becomes an oppressor and coloniser himself. Opera Ballet Vlaanderen revives the successful production with which the German star director Ersan Mondtag made his opera debut in 2020. In his own visually flamboyant style, he presents a daring political interpretation of a work that the German Nazi regime labelled ‘degenerate’. In unexpected ways, Mondtag draws parallels with the dark chapters of our own colonial history.

Críticas de Der Schmied von Gent dirigida por Ersan Mondtag

Opera Ballet Vlaanderen