| sábado 17 abril 2027 | 19:00 |
| martes 20 abril 2027 | 19:00 |
| jueves 22 abril 2027 | 19:00 |
| domingo 25 abril 2027 | 19:00 |
| martes 27 abril 2027 | 19:00 |
| jueves 29 abril 2027 | 19:00 |
| domingo 02 mayo 2027 | 11:00 |
| Hungarian State Opera | ||
| Kálmán Szennai | Dirección | |
| Máté Szabó | Dirección de escena | |
| Csaba Antal | Diseño de escena | |
| Anni Füzér | Diseño de vestuario | |
| Csaba Szilárdi | Diseño de iluminación | |
| Hungarian State Opera Orchestra | ||
| Hungarian State Opera Chorus | ||
| Zsombor Czeglédi | Dirección de escena | |
| Enikő Perczel | Dramaturgia | |
| Gergely Csanád Kováts | Coreografía | |
| Gábor Csiki | Dirección de coro | |
| Klára Kolonits | Soprano | Maria Stuarda |
| Gabriella Balga | Mezzosoprano | Elisabetta |
| Edgardo Rocha | Tenor | Earl of Leicester |
| István Kovács | Bajo | Talbot |
| Csaba Szegedi | Barítono | Cecil |
| Melinda Heiter | Mezzosoprano | Anna |
Many of Bergamo-born Gaetano Donizetti's operas have already been staged in Budapest. However, his great operas of historical dramas have so far been neglected, with the exception of Anna Bolena, which has not been performed in decades, either. It was therefore an important moment in 2025 that for the first time ever, Maria Stuarda was presented at the Hungarian State Opera. The bel canto composer, whose works are characteristic of endless and endlessly beautiful melodies, based his opera on Friedrich Schiller's drama of the same title about the last days of the life of the tragic Queen of Scots. The production was staged by Máté Szabó, a director familiar with Donizetti’s world, approaching the work from a psychological perspective.
Críticas de Maria Stuarda dirigida por Máté Szabó

