| martes 27 octubre 2026 | 19:00 |
| Lobo, Duarte (1564-1646) | Missa pro Defunctis: Introitus | |
| Lobo, Duarte (1564-1646) | Missa pro Defunctis: Kyrie | |
| Victoria, Tomás Luis de (1548-1611) | O quam gloriosum | |
| Lobo, Duarte (1564-1646) | Missa pro Defunctis: Gradual | |
| Victoria, Tomás Luis de (1548-1611) | Versa est in luctum | |
| Lobo, Duarte (1564-1646) | Missa pro Defunctis: Offertorium | |
| Lobo, Duarte (1564-1646) | Missa pro Defunctis: Sanctus | |
| Lobo, Duarte (1564-1646) | Missa pro Defunctis: Agnus Dei | |
| Lobo, Duarte (1564-1646) | Missa pro Defunctis: Communio | |
| Byrd, William (1540-1623) | Gaudeamus omnes in Domino | |
| Harris, William Henry (1883-1973) | Bring us, O Lord God | |
| Byrd, William (1540-1623) | Beati mundo corde | |
| Lobo, Duarte (1564-1646) | Versa est in luctum | |
| Byrd, William (1540-1623) | Timete Dominum | |
| Stanford, Charles Villiers (1852-1924) | Beati Quorum Via, Op.38 no.3 | |
| Byrd, William (1540-1623) | Iustorum animæ | |
| Parry, Sir Charles Hubert Hastings (1848-1918) | Lord, let me know mine end |
| The Sixteen |
Duarte Lôbo was the most widely known of Portuguese composers, his music appearing not only all over Portugal, but in Spain, the Spanish Netherlands, and South America. His Requiem unfolds in rich, sonorous polyphony, its sombre intensity balanced by the luminous purity of Victoria’s O quam gloriosum and Versa est in luctum .Byrd’s music brings an almost weightless clarity, while Harris, Stanford and Parry reveal the uniquely English tradition of choral music at its most expressive and moving. There is darkness here, but also extraordinary beauty: music for mourning, remembrance and hope.

