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| The Fountain of Bakhchisarai | Música: Asafiev, Boris (1884-1949) Coreografía: Rostislav Zakharov (Original) |
| Hungarian National Ballet | |
| Paul Connelly | Dirección |
| Sámuel Csaba Tóth | Dirección |
| Szilárd Kerekes | Diseño de escena |
| Tivadar Márk | Diseño de vestuario |
| Hungarian State Opera Orchestra | |
| Zoltán Fülöp | Diseño de escena |
| Nóra Rományi | Diseño de vestuario |
While the Fountain of Tears bubbles before him, Giray, khan of the Tatars, is lost in brooding. Just as the flow from the marble fount cannot be exhausted, his own sorrow will never diminish, either. The story of the Fountain of Bakhchisarai is set in motion by a romance recounting the reason for the khan's gloom. This work is one of the cornerstones of Russian ballet history, and since its premiere has enjoyed unbroken success as a representative of the genre of ballet drama, in which a dramatic performance is closely intertwined with the use of the classical language of dance and character dances. The choreographer of the work, Rotislav Zakharov, was powerfully drawn to Russian literary sources, making Pushkin's poem of the same title an obvious choice for his work, for which Boris Asafyev composed the music. The subject is a truly dramatic one: a story of jealous love. Giray, khan of the tatars has fallen wildly into love with Maria, whom he and his Tatars have abducted and forced into his harem just as she was preparing for her wedding. Zarema, the khan's first wife, does not take kindly to this situation. Tragedy is inevitable...

