Bachtrack logo
Programación
Críticas
Artículos
Noticias
Video
Site
Jóvenes artistas
Viajes

Georges Bizet (1838 - 1875)

Find live events with music by Bizet
Palazzetto Bru Zane Bizet retrospective

Georges Bizet, who died 150 years ago, marked his era with an avant-garde musical production. The Palazzetto Bru Zane offers a retrospective on a legacy that goes well beyond the success of Carmen.

"Georges Bizet, like some of his French colleagues such as Massenet and Gounod, might seem to be the composer of but a single work – Carmen – whose fame overshadows the rest of his output. To mark the 150th anniversary of the premiere of that opera and the death of its creator, the Palazzetto Bru Zane presents unknown or rarely performed music by Bizet, spanning his entire career. All the genres to which he contributed are to be found: the opera, the cantata, the chorus, the mélodie, orchestral and piano music. Yes, it is still possible, in 2025, to unveil so impressive an array of unpublished or rare works by so famous an artist." Alexandre Dratwicki

The vocation of the Palazzetto Bru Zane – Centre de musique romantique française is the rediscovery and international promotion of the French musical heritage of the period 1780-1920. Its interests range from chamber music to the orchestral, sacred and operatic repertories, not forgetting the lighter genres characteristic of the ‘esprit français’ (chanson, opéra-comique, operetta). The Centre was inaugurated in 2009 and has its headquarters in a Venetian palazzo dating from 1695 specially restored for this purpose. It receives the support of the Fondation Bru.

Top reads
About Georges Bizet
Born into a musical family—his father was a hairdresser and wigmaker turned singing teacher and his mother was an amateur pianist—Bizet received his first music lessons at home. A gifted pupil, he entered the Conservatoire in 1848, thanks to his uncle, François Delsarte, the future movement theorist. He soon won first prizes in the classes of Marmontel (piano), Benoist (organ) and Halévy (composition). At the same time, he was also studying privately with Zimmermann, and it was at his classes that he met Gounod, whose influence was to prove conclusive, as can be seen by his remarkable Symphony in C (1855). Exceptionally precocious, particularly in his mastery of the orchestra, Bizet began to achieve success from this time on: after winning first prize in an operetta competition organised by Offenbach in 1856 (Le Docteur miracle), he received academic recognition the following year with a Premier Grand Prix de Rome, a prize which earned him a lengthy stay at the Villa Medici. When he returned to Paris with a new opera, Don Procopio, he was determined to follow a career as a composer. With the exception of several pieces for piano (Jeux d’enfants) and numerous transcriptions, art songs, motets (Te Deum) and a few isolated orchestral works (Symphonie “Roma”, incidental music from L’Arlésienne), Bizet composed mainly operas (Les Pêcheurs de perles, 1863; La Jolie Fille de Perth, 1867; Djamileh, 1872), reaching the undisputed pinnacle of his career with Carmen, premiered only several months before his untimely death.

Chronological milestones
Loading image...
© Courtesy of Bru Zane Mediabase