Hitoshi Imai, Principal Horn of the NHK Symphony Orchestra, talks about discovering and playing Mahler’s longest symphony, and its theme of reverence for nature.
If there would be one piece to show someone asking “who is Mahler?” the third symphony would undoubtedly be my first choice. Though it does not perhaps reach the heights of expressionism of some of his later symphonies, it perfectly exemplifies everything Mahler’s music is about: contrast between emotional extremes, ingenuitive orchestration, and a juxtaposition of the sublime and trivial.
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