It was described as “the first nihilist work in the history of music” by the conductor Wilhelm Furtwängler. We look at the story behind Mahler’s Sixth Symphony.
Two fine concerts from Riccardo Chailly’s Leipzig Gewandhaus Orchestra filled part of the space between end-of-season Proms from the Berlin and Vienna Philharmonics. They brought Mendelssohn of refinement and poise to Prom 67 and dark, fateful thrust in Messiaen and Mahler for Prom 69.
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