En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sheppard

Durch sechs Jahrhunderte und viele Regionen führte das prunkvolle weihnachtliche Chor- und Orgelkonzert in der Westminster Abbey.

The Tallis Scholars return, better than ever, in this full-length streaming concert.

The Sixteen contribute intimate Music for Reflection to Voces8's Live from London series.

The Sixteen's 40th anniversary choral pilgrimage mixes Tudor music from the treasure trove of the Eton Choirbook with music that hadn't been written when the group were founded, including a striking new work by James MacMillan.

The Sixteen enchant the audience in Sydney with an intelligently-created programme of British composers.

The Sixteen launched us into the final days before Christmas with a well-thought out and diverse combination of songs on The Three Kings.

A gorgeous evening of supremely confident, and well-executed, Elizabethan choral music from exciting Belgian choir Vox Luminis.

The choir tackle an ambitious, if overly long programme of Advent-themed works with mixed results.

Massive pieces of Tudor polyphony, sung with captivating intensity by The Sixteen and Harry Christophers as their 2014 Choral Pilgrimage comes to Durham Cathedral.

Some of England’s greatest choral music dates from the period of political and religious upheaval during the late 15th to early 17th centuries, when composers were having to adapt to new monarchs and changes to the church service almost as frequently as they would have changed their shirts.

After the overload of concerts and carol singing around Christmas, most choirs have a well-deserved break before starting for another year, but not Vivamus. This young London-based choir entered 2013 in style with a candlelit concert for Epiphany. The concert’s main advertised work was Britten’s A Ceremony of Carols, with other composers on the programme including Leighton, Howells and Whitacre.

I wasn’t sure, at first, how it would feel to listen to sacred Renaissance works in St. David’s Hall, a modern, secular concert hall. I wasn’t convinced that the beauty of these pieces and the compositional effects, so suited to the vaulted lofts of a cathedral, would carry over when so far removed from their original context.

After fifteen years of trying to persuade us that Byrd’s lesser-known works are just as worth listening to as the famous ones, I felt that the Cardinall’s Musick could have come up with a more exciting programme of his celebration of Easter.

In his introductory talk before The Sixteen’s Choral Pilgrimage concert in Durham Cathedral, conductor Harry Christophers explained that the original idea of their Choral Pilgrimage series was to bring the glories of English church music back into the buildings for which the pieces had been written.