En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Timothy Dean

Eisenstein is a Tory Minister out of his depth on a European mission. Mischief and fun galore in RCS’s well sung Die Fledermaus, a fitting tribute to Timothy Dean as he stands down as Head of Opera.

Music, singing and movement blend together in a powerfully moving double bill of French Tragedy, Les Malheurs d’Orphée and Le Vin herbé  at the Royal Conservatoire of Scotland.   

The Royal Conservatoire of Scotland’s opera singers and chamber orchestra are on top form with a moving and thoughtful production of Britten’s Owen Wingrave.

Woodwind and Brass from the Royal Conservatory of Scotland gave sparkling Stravinsky performances of his Octet, Symphonies of Winds and joined by RCS Voices for his Mass.

Set during the First World War, this enjoyable Così fan tutte focuses on how tough shifting human relationships are for both sexes. In Nicolette Molnár’s production, it is clear that if all women do it, so do all men.

A successful concert hall Rake's Progress at the Edinburgh International Festival with an impressively strong cast of singers, Scottish Chamber Orchestra and Royal Conservatoire Voices under Sir Andrew Davis.

A contrasting Double Bill of classic Purcell and a little-known French absurdist opera by Poulenc provides an entertaining evening of contrasts.

A perfect opera for students? Young singers and a stylish production of Le nozze di Figaro strike the balance between serious and comic.

Opera school students at the Royal Conservatiore of Scotland in Glasgow make the case for Mozart's overlooked final opera La Clemenza di Tito.

With a cast of over 20 parts, here sung by 18 soloists, the Royal Conservatoire of Scotland made a bold choice by staging Monteverdi’s Il ritorno d’Ulisse in patria to showcase the current students at the Opera School. Continuing the “Opera Up Close and Personal” series, this was performed in the tiny opera studio to an audience of around 100, creating an intimate evening of early music.

Audiences have come to look forward to the annual co-production between Scottish Opera and the Royal Conservatoire of Scotland, where student opera singers, orchestra players and backstage crew get a chance to partner up with their professionals across the other side of Glasgow’s Hope Street.

Claudio Monteverdi was employed by Victor Gonzaga, the Duke of Mantua, but was dismissed from the court when his son Francesco Gonzaga took title in 1612. Monteverdi moved to Venice to take up the appointment of Director of Music at St Mark’s Basilica.