En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Christopher Foster

The Presteigne Festival went Polish this year with an enterprising perspective of contemporary and post-war works including the world première of Paveł Łukaszewski’s newly commissioned Requiem. 

Weather forecasters would have a meteorological field day with Rimsky-Korsakov’s opera The Snow Maiden. Freezing temperatures have prevailed for sixteen years, and the immediate outlook in the Prologue is for further isolated snow showers, before a warm front eventually sweeps in from the south during Act IV. 

The Presteigne Festival has carved out a niche amongst Welsh Festivals (or, indeed, British festivals as a whole) for its largely contemporary programme of work.