En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Cristina Zavalloni

Louis Andriessen’s new opera is a masterly expedition into the grand and grotesque mind of Athanasius Kircher, polymath and fantastist, but it is hampered by a clumsy libretto.

Louis Andriessen is my favourite Dutch composer, but even here in the Netherlands his works are underperformed. So it was all the more exciting that the Clazz Ensemble presented a program solely with works by Andriessen.

The gentle sound of a kettle coming to the boil was the intriguing start to the UK premiere of Louis Andriessen’s work for singer, ensemble and film, Anaïs Nin. The peeling and eating of a banana gave rather more of a clue as to what was to come, in a concert that carried the warning “This concert contains explicit content and language and is recommended for ages 16 and over”.