En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Anna Malavasi

Zubin Mehta conducts Verdi's Otello in an iconic Robert Wilson production of stylized theater where less is more. The effect was mesmerizing.  

A fresh, gleaming production of director Elena Barbalich, with as much vaudeville as possible

Pippo Delbono, an advocate of experimental theatre, tests the audience's patience at Opera di Roma, masking some enjoyable musical performances.

Rigoletto assez terne au Festival des Arènes de Vérone : le sublime bouffon de Verdi ainsi que la réputation du Festival italien méritaient bien un niveau d’interprétation supérieur. 

In this staging of Verdi’s  masterpiece, the director reminds us that the ominous epilogue springs from its short prelude.

A great singing cast and an excellent conducting for the unveiling of Otello's ghosts in Naples.

According to Riccardo Muti in a recent interview for Chicago Classical Review, the cardinal sins of modern conductors when interpreting Verdi are over-aggression and vulgarity. He also notes in an interview included in the concert program that one of the most unique aspects of Macbeth is its use of expressively soft dynamics, even going as far to call the technique avant-garde.