En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Danae Eleni

Last night, Glyndebourne presented Mozart’s Die Entführung aus dem Serail at the Proms, a tale of intrigue in a Turkish harem. At Grimeborn Festival, a grungy, hip East End alternative, we had the genuine article: Gariné, an opera buffa by Turkish/Armenian composer Dikran Tchouhadjian.

Notable for its excellent instrumentation, Possession! interleaves two letter-writing couples in (doomed) love, but despite everyone's best efforts, largely fails to get off the ground. 

Giornata Opera picked Puccini’s often-neglected personal favourite of his Trittico, Suor Angelica, to perform at St Paul’s Church, Covent Garden. The second half is well worth the wait.

If you think that Hansel and Gretel is a gentle, happy piece of Christmas cheer, the first act of Lewis Reynolds's pub production for Open Door Opera might give you pause for thought. The children may be naughty, but they're genuinely starving, and the mother may be overbearingly harsh, but she is genuinely at her wits' end.