En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Adam Spreadbury-Maher

The King’s Head Theatre in Islington is, as one might suspect from the name, in the back of a pub. Founded in 1970, it was the first pub theatre to open in London since Shakespeare’s time. Housed in a back room that used to contain a boxing ring, it is tiny: tightly packed seating for maybe 60 or 70 people and an unelevated stage, beginning where the seating stops.

How much wine can a cast pretend to drink over the course of one production? If such a record has been set Adam Spreadbury-Maher, Ben Cooper and Robin Norton-Hale’s Don Giovanni presents a good challenge. For much of this production characters, music and set seemed drunk on wine and melodrama, high on the drug of their own confident style – but all were ultimately weakened by their instability.