En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Anna-Franziska Srna

With two happy endings, two recognition scenes, and a second act that seems more of a self-contained sequel than a conclusion to the first, Gluck’s Telemaco has come in for a musicological pasting over the years for its alleged weaknesses of dramatic content and construction.