En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Thomas Paul

Eine Nacht im Heiter-Anspruchslosen. Freunde von Strauß, Venedig und Kostümklamauk kommen voll auf ihre Kosten. „Ach wie herrlich zu schaun“ sind in dieser Operette nicht nur „all die die reizenden Fraun“, sondern auch die Kostüme von Hinrich Horstkotte.

Jaquino dons the coat of the ousted Pizarro in this Volksoper production of Fidelio, clearly indicating that just as one evil head has been (literally) cut off, another is growing in its place… 

Under the headline “Why Lortzing?”, the evening’s programme lists 20 reasons by Lortzing biographer Jürgen Lodemann why this composer should not be forgotten, including the fact that Lortzing’s operas were the most-performed in Germany for about 150 years.

After twelve long years, Oscar Straus’ Ein Walzertraum has made it back to the Volksoper, the place where it belongs for its indestructible Viennese spirit and never-ending popularity, and where Robert Meyer, the house’s boss and director on this occasion, customarily ensures that the traditional operetta is sheltered from modernist conceptual stagings.