En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Alexandre Maillard

As I sat in the intriguing darkness of Koerner Hall, Marielle Labèque carefully placed the opening notes of Le fils des étoiles by Erik Satie. They hung in the air like little crystals. This was a simple beginning, yet deceptively so, that would build towards something larger. In turn, these notes would unfold in a continuous stream of build-ups and decays.