En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Gabriele Schnaut

Deutsche Oper Berlin's Salome was a mixed blessing: a magnificent Catherine Naglestad as the heroine, with good ensemble of singers and orchestra, but a thoughtful but far-fetched psychological interpretation.

The loud cheers for the performers were richly deserved, although Jörg Widmann’s imposing but sprawling Babylon was not well-served by the concert format.

In Los Angeles, Patricia Racette was an impressive Salome but the orchestra was, as it should, the main character.