En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Max Cauthorn

Sir Kenneth MacMillan's Manon is an unforgettable, stunning production – a classic well worth seeing.

There’s much to love in Helgi Tomasson’s production of Romeo & Juliet, starting with Prokofiev’s sumptuous score.

The ballet’s second act, following Giselle’s death, is set in a spooky, mystical realm, precisely the kind of thing that so intrigued its 19th century audiences and made this ballet an instant classic.

In Helgi Tomasson's production, Michael Yeargan’s scenic design and the late Martin Pakledinaz’ sumptuous costumes create a scene so charming, you just want to climb inside and stay in that world all evening and beyond.

Most of the pieces were choreographed at a similarly demanding level, with speed, precision and immaculate timing as necessities.

Unbound by restrictions, they’ve been given free rein to create, implement and demonstrate to the world what contemporary ballet looks like. Hint: it looks great.

San Francisco Ballet's first program of 2016, featuring Forsythe's rarely performed Pas/Parts and the revival of 7 for Eight and Magrittomania, leads the way into an exciting season.

San Francisco Ballet's Nutcracker delivers world class entertainment and features such stars as Maria Kochetkova, Joan Boada, Vanessa Zahorian, Frances Chung, Jaime Garcia Castilla. A holiday classic with a fresh spin that's a must-see for adults and children alike.