En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Nicola Rubertelli

La poco conocida ópera Adriana Lecouvreur de Francesco Cilea cierra la temporada del Teatro de la Maestranza. Al encanto de la partitura y la bondad interpretativa de la Orquesta de Sevilla se unió un elenco de excepción encabezado por la soprano Ainhoa Arteta.

Manfred Schweigkofler's production places the drama in a surreal, timeless atmosphere at the Teatro San Carlo. 

Gianni Amelio's traditionalist staging pleased the audience, and Nadine Sierra brought vocal grace and a flawless technique to the title role.

This production at the San Carlo was an excellent, emotional Lucia di Lammermoor, welcomed with empathy by the audience, like an old companion. 

A piece of Italian verismo well worth being in the repertoire, beautifully staged and sung.

A nimble, cheerful performance of Donizetti's dramma buffo in Naples, both by individuals and ensemble. 

Roberto De Simone's staging evokes a fabulous out-of-time China, and perfectly accompanies the majesty of Puccini’s last and unfinished opera. De Simone chooses to stop the opera at the point of Puccini's death, without Franco Alfano's finale.

A successful production for a scandalous opera which exercised a broad influence on the musical theatre of the 20th century.

A Neapolitan farce which was successful in all Italian theatres, fun and frantic.

This production of Puccini’s masterpiece was delivered on a monochromatic set, with  a director-centred staging of the story of love and despair of Cio-Cio San.

A great singing cast and an excellent conducting for the unveiling of Otello's ghosts in Naples.