En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Yudai Fukuoka

National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

National Ballet of Japan has revived Sir David Bintley’s Aladdin for the first time in five years and it shows how the company has developed since the premiere in 2008. 

National Ballet of Japan has revived its version of La Bayadère choreographed by former director Asami Maki. Brilliantly performed by strong lead dancers, the Kingdom of the Shades was particularly breathtaking.

National Ballet of Japan have revived Peter Darrell’s Tales of Hoffmann and whilst this may not be a masterpiece, served to show how much the company is evolving, with excellent lead dancers.

National Ballet of Japan’s Nutcracker by Wayne Eagling is a family favourite, with lead dancers Ayako Ono and Yudai Fukuoka giving a flawless performance as the leads. 

 This production provides a hugely fulfilling evening, rich in drama and the beauty of classical ballet.

Two adaptations of well-known Shakespeare plays make wonderful additions to the repertoire of the National Ballet of Japan.

Their artistry was something that is rarely seen and is a great gift to us all.

NBJ shows a contemporary double bill choreographed by Motoko Hirayama; a powerful and daring programme that strengthens their dancers’ versatility.

A much beloved production with magical charm, National Ballet of Japan's Cinderella, choreographed by Fredrick Ashton, is successfully performed to a full house audience, thanks to coaching by Miyako Yoshida who performed the role in her days at The Royal Ballet. 

National Ballet of Japan successfully performs two very different pieces, George Balanchine's Theme and Variations and David Bintley's Still Life at the Penguin Café, amid the ongoing COVID-19 crisis.  

National Ballet of Japan premieres Sir Peter Wright's Swan Lake, which had been postponed for a year due to Covid restrictions. 

Asami Maki's Raymonda returns to stage after 12 years, and the result was glorious, with excellent interpretation by Yui Yonezawa, Yudai Fukuoka and Masahiro Nakaya.

In the National Ballet of Japan's Sleeping Beauty, the fulfilment and joy of being able to dance was apparent in the whole company and the result was glorious. 

New Year Ballet displayed the versatility of the National Ballet of Japan, from the 19th-century classic Paquita, to three works by Japanese choreographers and David Bintley's “Still Life” at the Penguin Café.

National Ballet of Japan's The Nutcracker and the Mouse King conquers the challenge of Wayne Eagling, a flawed but enjoyable production with high quality dancing

The National Ballet of Japan mounted a new production of Peter Darrell’s The Tales of Hoffmann based on the Offenbach's opera. Although no masterpiece, it was an enjoyable evening and the quality of dancing by the four primas, the fascinating new sets and the costumes did entertain the audience a lot.