En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Otto Katzameier

Widmann packs everything into Babylon – from classical arias to dissonant clusters, military marches, film music and a few chamber music moments.

Jürgen Flimm bowed out of his role as Intendant of the Berlin State Opera with the German premiere of Salvatore Sciarrino's Ti vedo, ti sento, mi perdo.

The work takes its inspiration from the life of the little known Italian composer Alessandro Stradella who ended his life stabbed by killers sent by the husbands of his innumerable mistresses.

Jürgen Flimms Produktion unterstreicht die frech-fröhlich-Mozartschen Züge der Figuren der spielfreudigen Besetzung.

Before writing a note of Gogol, composer Lera Auerbach immersed herself in the writer’s complete works and over twenty books written about him. It would take similar efforts to begin to understand this opera: taking us inside the fevered mind of its title character, Gogol is less a biographical narrative set to music than a phantasmagorical, psychological investigation.