En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Genevieve Blanchett

Its achievement lies in the brilliant notion of taking the two parts of Dostoevsky's work – the Aboveground Man's self-loathed life and the Underground Man's reflections upon it 20 years later – and running them concurrently, using two different singers.