En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Diana Cohen

Contemporary programming at this year's festival brings a sensitive social issue close to home, culminating in Judith Markovich's “Oh, my son…” 

An idiosyncratic outing at Chamberfest Cleveland recounts original sin in ragtime and finds redemption in a neglected wartime masterpiece.

Smart sophistication and creepy entertainment go hand-in-hand in an excursion to odd corners of the chamber repertoire.

Ravel and Bartók shared the program with Gershwin, Brubeck, Thelonious Monk and others in this imaginative program.

The penultimate concert for the 2014 season featured new choreography for Tan's ritualistic work, as well as a brilliant performances of percussion works and Shostakovich's second Piano Trio.

Any orchestral endeavor in Cleveland stands in the looming shadow of The Cleveland Orchestra, not just in an artistic sense, but also, in a relatively small city such as Cleveland, in a competition for audience. Various previous chamber orchestras have fallen to the exigencies of financing such a venture.