En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Emanuele Cordaro

Antonino Fogliani conducts a concert performance of Bellini's rare bel canto opera. 

A promising cast on paper is scuppered by a banal, monotonous production and uninspired conducting.

Jürgen Flimm bowed out of his role as Intendant of the Berlin State Opera with the German premiere of Salvatore Sciarrino's Ti vedo, ti sento, mi perdo.

At its 2015 inauguration at the Royal Opera House, a controversial rape scene in Act 3 drew outrage from the audience and critics alike. Now the Teatro Massimo is presenting the production once again.

The work takes its inspiration from the life of the little known Italian composer Alessandro Stradella who ended his life stabbed by killers sent by the husbands of his innumerable mistresses.

Without recourse to virtual reality or hallucinogens, Vick has created a suggestive, vividly surreal world where one's reference points are lost to the wind.