En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | James Hay

Jonathan Watkins’ A Single Man is a compelling piece of dance theatre and a magnificent vehicle for the leading characters to shine as dancers and actors.

Last seen in 2017, Christopher Wheeldon’s take on the classic Lewis Carroll novel returns to the Royal Opera House stage, or rather Royal Ballet and Opera as we must now call it.

Sir Peter Wright’s classic Royal Ballet production returns for another festive run to enchant the young – and not so young – at Covent Garden. 

A compelling performance of this revival, dedicated by Vadim Muntagirov to the people of Ukraine.

Francesca Hayward is a captivating Juliet as Sir Kenneth MacMillan's hardy perennial is back for another long run at the Royal Opera House. 

Marianela Núñez possesses a shimmering, celestial radiance and Vadim Muntagirov is a Prince in his prime.

Sir Peter Wright’s festive treat is back – and Covid-secure – as the Royal Opera House stages its first full-length staged performance since the theatre closed in March.

The Firebird/A Month in the Country/Symphony in C is an effective and enjoyable programme to close The Royal Ballet's season.

As MacMillan's masterpiece nears its 500th performance by The Royal Ballet, a fresh run of performances opens with a new pairing in the lead roles. 

Despite drawbacks, this is a bold and imaginative approach to creating dance theatre from the titan of gothic horror 

The Royal Ballet’s 50th anniversary revival of Balanchine’s abstract ballet Jewels is a showpiece displaying a company of dancers in celebratory form.