En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Pasquale Mari

Ópera de Tenerife presentó Attila de Verdi con un excelente reparto y dirección musical de Christopher Franklin y Andrea de Rosa como director de escena. 

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna. 

Mario Martone’s 2011 production, revived this season by Federica Stefani. fairly stands the test of time in Milan. 

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti. 

Conductor Michele Gamba gives a very personal interpretation of Rigoletto, in an intelligent new production by Mario Martone, which seals a great success for the trio of principal singers, Amartuvshin Enkhbat, Nadine Sierra and Piero Pretti.