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In the opera world, where loyalty to the libretto is oftentimes taken for poor taste and the use of period sets and costumes is attributed to the lack of a directorial concept, seeing a traditional production becomes a rare (and very comforting) treat.

“Poetry and again poetry – tenderness mixed with pain; sensuality, a drama surprising and burning, and a rocketing finale.” This is composer Giacomo Puccini describing one of the world’s most famous operas, La bohème.

When, in 1859, Gounod’s Faust premiered in Paris, it got an icy cold reception. In fact, shocking as it may sound to anyone even slightly familiar with this opera’s glorious arias, breathtaking duets and melodious ensembles, it got rejected by Paris Opera on the grounds of not being sufficiently “showy”.

In the opera world, where being true to a libretto is considered unforgivably boring, and using traditional scenery and costumes very dull, sometimes nothing is more pleasing than seeing a conservative production.

When in 2009 Baltimore Opera Company announced bankruptcy and closed its doors indefinitely, opera lovers were devastated. Being left without opera felt like losing a dear family member. However, sad as they were, Baltimoreans never gave up hope that one day their opera would rise from the ashes and come back in its full grandeur.