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Il campanello and Deux Hommes et une femme bomb at the Donizetti Opera festival, but the young singers of the Bottega Donizetti – and wily old hand Alessandro Corbelli – impress.

Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet. 

Stricken by illness, the French version of Donizetti’s masterpiece is somewhat disappointing.

The Donizetti Opera festival continues its remarkable initiative to stage every opera on its bicentennial.

Donizetti's music in this early opera has the freshness and liveliness of his most mature comic works, but l barbiere di Siviglia and La Cenerentola were just a few years before, as one could easily perceive.

A clever production enlivens a rare, early opera at the Donizetti Opera Festival. A fantastic cast and a great period orchestra seal a resounding success under the lead of Alessandro De Marchi.

The Donizetti Opera Festival presents a rarity with a good cast of bel canto specialists in a somewhat disappointing production.

Absent from theatres for more than a century and a half, Donizetti's comedy about Tsar Peter the Great is revived in the composer's home town.