En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Orpheus, symphonic poem no. 4 for orchestra, S 98

Welser-Möst keeps Bohuslav Martinů's seemingly unruly orchestral scoring wonderfully lucid as The Cleveland Orchestra visits Vienna's Musikverein. 

Daniel Lozakovich captivated the audience in Liverpool with his Bruch; Lawrence Foster conducted the RLPO in superb performances of less familiar Liszt and Tchaikovsky.

Les Zadig présentent un programme intégralement consacré à Saint-Saëns : à côté d'arrangements méconnus du compositeur, pas toujours convaincants, la formation impose une lecture fougueuse, sans être monolithique, du Trio n° 2.

Steven Isserlis offers sophisticated musical empathy in Schumann's Cello Concerto at the Royal Festival Hall, London.

ChamberFest Cleveland’s Hungarian evening traversed works of Liszt, Eötvös, and Dohnányi, alongside Brahms’ apt Hungarian Dances.

Une ambition affichée : faire sonner l’infini des possibles du plus monumental des instruments sur des partitions qui ne lui sont pourtant pas destinées. 

An intense experience as the RCO explores programme music depicting poets, musicians and artists. 

Mit Enthusiasmus und narrativer Ausdruckskraft begeistern Christian Thielemann und die Berliner Philharmoniker in einem gemischten Programm.

As this year draws to a close, musicians and audiences have one last chance to celebrate the 200th birthday of Franz Liszt (1811-1886). The program this afternoon featured a couple of less-familiar orchestral pieces as well as the First and Second Piano Concerti. (Liszt’s orchestral works are infrequently performed, these ones especially so.