The 2012 Tête à Tête opera festival is continuing on the bold course begun in 2007. Over halfway through its breathless 18-day schedule, it all seems as fresh as when it started. Its sixth season contains some typically outlandish operatic gems, most relatively brief in length.
In its 31-year history, ecat (Edinburgh Contemporary Arts Trust) has commissioned over 80 new works and introduced countless emerging performers and composers to the new music public.
