En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Eine florentinische Tragödie (A Florentine Tragedy) Op.16

Zwei Opern, ein Handlungsstrang: Vasily Barkhatov transformiert Alexander Zemlinskys und Béla Bartóks Einakter zum durchgehenden Psychodrama. Das funktioniert, aber große Highlights bleiben trotz des Staraufgebots rund um Asmik Grigorian aus.

An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.

Zemlinsky's dark story of infidelity and murder, from Oscar Wilde's unfinished play, poses a significant musical challenge for both audience and director. 

Strauss’ Die Frau Ohne Schatten is perhaps his most problematic opera, in that it contains all that is best and worst in him, to the most maddening degrees.