| sábado 23 enero 2027 | 19:00 |
| sábado 30 enero 2027 | 19:00 |
| sábado 06 febrero 2027 | 19:00 |
| viernes 12 febrero 2027 | 19:00 |
| viernes 19 febrero 2027 | 19:00 |
| miércoles 24 febrero 2027 | 19:00 |
| sábado 27 febrero 2027 | 19:00 |
| Staatsoper Stuttgart | ||
| Nicholas Carter | Dirección | |
| Calixto Bieito | Dirección de escena | |
| Susanne Gschwender | Diseño de escena | |
| Anna Eiermann | Diseño de vestuario | |
| Reinhard Traub | Diseño de iluminación | |
| Staatsorchester Stuttgart | ||
| Rebecca Ringst | Diseño de escena | |
| Xavier Zuber | Dramaturgia | |
| Staatsopernchor Stuttgart | ||
| Jeremy Bines | Dirección de coro | |
| Goran Jurić | Bajo | Daland |
| Simone Schneider | Soprano | Senta |
| Derek Welton | Bajo | Dutchman |
| Manni Laudenbach | Actor | Erik |
| Deanna Ray Eberhart von Fange | Mezzosoprano | Mary |
| Moritz Kallenberg | Tenor | The Steersman |
“Dear God, make me pious / for I come from hell,“ reads a scene heading in Heiner Müller’s grotesque fairy tale The Life of Gundling Friedrich of Prussia. But it could just as easily refer to the Flying Dutchman, who in Wagner’s early opera was condemned by Satan himself to sail restlessly across the world’s oceans. Every seven years he is allowed ashore to woo a woman who will remain faithful to him until death.
From the hell of eternal recurrence, his path leads him into the icy waters of selfish calculation, where a person is worth only as much as they contribute. The title role in Calixto Bieito’s dark interpretation of Wagner is played by Derek Welton, an internationally acclaimed bass-baritone from Australia. Nicholas Carter conducts the Staatsorchester in his third production of the season.
In German
An introduction will take place in the first-tier foyer 45 minutes before the performance begins.
