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FidelioNueva producción

Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungría
Fechas/horas en zona horaria de Budapest
sábado 18 abril 202618:30
domingo 19 abril 202611:00
martes 21 abril 202618:30
viernes 24 abril 202618:30
sábado 25 abril 202611:00
Intérpretes
Hungarian State Opera
Péter HalászDirección
Tobias KratzerDirección de escena
Rainer SellmaierDiseño de escena, Diseño de vestuario
Michael BauerDiseño de iluminación
Hungarian State Opera Orchestra
Manuel BraunVideoarte
Hungarian State Opera Chorus
Gábor CsikiDirección de coro
István KovácsháziTenorFlorestan
Zsolt HajaBarítonoDon Fernando
Krisztián CserBajoDon Pizarro
Károly SzemerédyBarítonoDon Pizarro
Andrea SzántóMezzosopranoLeonore
Szilvia RálikSopranoLeonore
András PalerdiBajoRocco
András KissBarítonoRocco
Botond PálTenorJaquino
Barna BartosTenorJaquino
Orsolya SáfárSopranoMarzelline
Zita SzemereSopranoMarzelline
Dénes GulyásTenorFirst prisoner
Kolos KovátsBajoSecond prisoner

Amidst the many stories of strong and heroic men, a work where true strength and resolution are embodied by a woman – even if she must disguise herself as a man to achieve her goal – always raises fascinating questions. Ludwig van Beethoven’s only opera brings together multiple traditions: it incorporates the Singspiel (a musical drama with spoken dialogue), an almost fairy-tale-like happy ending, the legacy of Viennese classicism, and a foreshadowing of Romantic grandeur. At the same time, it stands as one of the most iconic examples of rescue opera, in which a wife, Leonore – disguised as Fidelio – fights to save her unjustly imprisoned husband, Florestan.

The opera follows a long-standing tradition by collaborating with major international opera houses or adopting productions to offer the Budapest audience a taste of European performances. Following last year’s Don Giovanni from Berlin, this time it presents a production from London’s Royal Ballet and Opera, directed by Tobias Kratzer, who is set to become the director of the Hamburg Opera from the 2025/26 season. His staging masterfully blends traditional and modern elements in an exciting way, under the baton of Péter Halász. The production was a resounding success in London, making it a great privilege that it will be the Budapest audience to experience it first internationally outside the UK.

Críticas de Fidelio, Op.72 dirigida por Tobias Kratzer

Fidelio
Beethoven’s “problem child”: staging Fidelio
A sense of theatre: Sir Antonio Pappano
abril 2026
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