Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungría
Fechas/horas en zona horaria de Budapest
sábado 13 septiembre 2025 | 18:00 |
jueves 18 septiembre 2025 | 18:00 |
viernes 19 septiembre 2025 | 18:00 |
sábado 20 septiembre 2025 | 18:00 |
domingo 21 septiembre 2025 | 11:00 |
Programa
Mozart, Wolfgang Amadeus (1756-1791) | Las bodas de Fígaro (Le nozze di Figaro) | Libreto de Lorenzo Da Ponte |
Intérpretes
Hungarian State Opera | ||
Gregory Vajda | Dirección | |
Judit Galgóczy | Dirección de escena | |
Attila Csikós | Diseño de escena | |
Nelly Vágó | Diseño de vestuario | |
Hungarian State Opera Orchestra | ||
Hungarian State Opera Chorus | ||
Hungarian State Opera Children's Chorus | ||
András Nádasdy | Coreografía | |
Gábor Csiki | Dirección de coro | |
Azat Malik | Bajo-barítono | Count Almaviva |
Andrea Brassói-Jőrös | Soprano | Count Almaviva, Countess Almaviva |
Natália Tuznik | Soprano | Countess Almaviva |
Bence Pataki | Bajo | Figaro |
Csaba Sándor | Bajo-barítono | Figaro |
Boglárka Brindás | Soprano | Susanna |
Rita Rácz | Soprano | Susanna |
Vivienne Ortan | Mezzosoprano | Cherubino |
Zsófia Kálnay | Mezzosoprano | Cherubino |
András Kiss | Barítono | Doctor Bartolo |
István Rácz | Bajo | Doctor Bartolo |
Anna Csenge Fürjes | Mezzosoprano | Marcellina |
Mária Farkasréti | Soprano | Marcellina |
Botond Pál | Tenor | Don Curzio |
Attila Erdős | Bajo | Don Basilio |
Boldizsár Zajkás | Bajo | Antonio |
Anija Lombard | Soprano | Barbarina |
Standing at the centre of this opera relating, with scintillating wit, the chaotic events of the "day of madness" and a wedding nearly gone up in smoke are the already familiar and clever barber from Seville and his spirited love, Susanna. But there is also much, much more... Human emotions, desires, dreams and disappointments, which Mozart's balanced and ornate music depicts not only with irony, but also with humanity.
Judit Galgóczy's direction focuses on the dynamic and pulsating game of everyone appearing different to what they are and desiring something other than what they have. On the stage, everything is alive, pulsing and moving, as the music swells forth...