In common with Satyagraha, the core of Mozart's Enlightenment opera is forgiveness: versatile opera director Strassberger discusses his forthcoming LA production and how he gets the best from his singers.
Mozart’s penultimate opera, La Clemenza di Tito is a curious work; probably the least known of his major operas, it is heavy on the recitative and lacks any “big tunes”, but it has a fascinating and timeless plot, which offers moments of high drama and eloquently depicts the loneliness of the supreme ruler.
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