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Rigoletto

Gran Teatre del Liceu: SalaBarcelona, Cataluña, 08002, España
Fechas/horas en zona horaria de Madrid
viernes 03 diciembre 202119:00
sábado 04 diciembre 202119:00
domingo 05 diciembre 202118:00
jueves 09 diciembre 202119:00
viernes 10 diciembre 202119:00
domingo 12 diciembre 202118:00
lunes 13 diciembre 202119:00
martes 14 diciembre 202119:00
viernes 17 diciembre 202119:00
sábado 18 diciembre 202119:00
Ver 1 más fechas
Programa
Verdi, Giuseppe (1813-1901)RigolettoLibreto de Francesco Maria Piave
Intérpretes
Gran Teatre del Liceu
Daniele CallegariDirector
Monique WagemakersDirector de escena
Michael LevineDiseño de escena
Sandy PowelDiseño de vestuario
Reinier TweebeekeDiseño de iluminación
Christopher MaltmanBarítonoRigolettonov 28, dic 01, 03, 05, 10, 12, 14, 18
Markus BrückBarítonoRigolettonov 30, dic 02, 04, 09, 13, 17, 19
Olga PeretyatkoSopranoGildanov 28, dic 01, 03, 05, 10, 12, 14, 18
Aigul KhismatullinaSopranoGildanov 30, dic 02, 04, 09, 13, 17, 19
Benjamin BernheimTenorThe Duke of Mantuanov 28, dic 01, 05, 10, 14, 18
Saimir PirguTenorThe Duke of Mantuanov 30, dic 02, 04, 09, 13, 17, 19
José BrosTenorThe Duke of Mantuadic 03, 12
Grigory ShkarupaBajoSparafucilenov 28, dic 01, 03, 05, 10, 12, 14, 18
Liang LiBajoSparafucilenov 30, dic 02, 04, 09, 13, 17, 19
Rinat ShahamMezzosopranoMaddalenanov 28, dic 01, 03, 04, 05, 10, 12, 14, 18
Nino SurguladzeMezzosopranoMaddalenanov 30, dic 02, 09, 13, 17, 19
Laura VilaMezzosopranoGiovanna
Stefano PalatchiBajoCount Ceprano
Sara BañerasMezzosopranoCountess Ceprano
Moisés MarínTenorBorsa
Mattia DentiBajoMonterone
Coro del Gran Teatre del Liceu
Orquesta Sinfónica del Gran Teatre del Liceu

Coproduction: Gran Teatre del Liceu and Teatro Real

In a letter to his librettist Francesco Maria Piave, Verdi wrote: “Oh! Victor Hugo's Le Roi s’amuse deals with the greatest of themes and is perhaps the most important play of modern times. It's worthy of Shakespeare!”. He was working on an adaptation of King Lear at the time but then returned to Hugo, to whom he owed the greatest triumph of his most difficult years: Ernani.

The irresistible threesome of the king, his daughter and the court jester came as flash of inspiration to Verdi. Between the shallow, lecherous Duke (Hugo's king) and Gilda, who is both a victim and captive of ignorance, he places Rigoletto, the wonderful, ambivalent hunchback whose paradise is the peaceful home and family he struggles to protect. Despite his outward deformity, Rigoletto is passionately loving being, but also a monstruous father, obsessed by a curse, who is harrowing, grotesque and sublime in equal measure. His star aria, “Cortigiani, vil razza dannata”, takes him from indomitable rage to humble supplication, attesting to Verdi's ability to adapt a form he inherited from bel canto to dramatic realism.

Monique Wagemakers' exuberant production, with its delightful Venetian red costumes, focusses on the themes of ill-treatment, the quest for identity, and the abuse of power over the defenceless, as shown by the Duke's domination of Rigoletto and Rigoletto's domination of his daughter. Precisely the contradictions and conflicts on which the whole extraordinary score rests.

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